Stations of the Cross-Preparing For Easter

April 3, 2009

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I am organizing the Stations of the Cross for our community this year and received some questions inquiring a little bit into the background surrounding the event and other aspects of Christian Year spirituality.

I wrote this to answer some of their questions.  Most of the content is taken from Robert E. Webber’s, Ancient Future Time.

Stations of the Cross

Background:

Early Christian pilgrims, as part of their acts of devotion to God, commonly journeyed annually to Jerusalem to retrace the route of Jesus as he carried his cross to his death.  By the 16th century, their routed pilgrimage through Jerusalem came to be called the “Via Dolorosa”–The Way of Sorrow. In the latter Middle Ages it became common for certain points along the journey (stations) to be associated with specific events that were recounted (or implied) in the Gospel accounts of Christ’s journey unto death.  By the 18th century The Stations of the Cross became included in most Eastern and Western Catholic Easter celebrations and became a common means for those who could not make the pilgrimage to Jerusalem to participate in the “Via Dolorosa” walk.

The Purpose of The Stations of the Cross For US?

Throughout Scripture, in both the Old and New Testaments, God’s people are called to remember his saving events in and through time.  For the Ancient Jew, to commemorate the past was not to merely recall it as a past event but to commemorate it in such a way that it gave the present new meaning.  Easter is the source and heartbeat of our spirituality and as bearers of memory we call others to celebrate and enter into God’s Salvific Story.  God’s work in the human story, that has been brought to fruition in the life, death, and resurrection of Christ, gives life and depth to who we are as his people, and who we are continually becoming.

Through the Stations of the Cross, we are not merely recalling Christ’s journey unto death as a  sorrowful, grave, and dark event in history (although that is part of it).  Rather, my desire is for the event to bring an added depth individually and communally to our Easter celebrations.  I desire for it to stir in you a fresh understanding of Christ’s sacrificial love and consequentially awaken new formation and growth in your own spiritual journey.  It is meant to provide time and space to personally reflect on the events surrounding Christ’s death and to stir into action how we, as God’s people, are to respond.  By remembering and entering into Christ’s great saving events we are changed.  Christ’s life, death, and resurrection are not mythical ideas or powerful stories but true, real, concrete events through which the God of creation acted within history to rescue the fallen world.

“As we think of our spirituality shaped through the practice of Christian time, it is of utmost importance that we begin with Christ, who is the source of our spirituality and the one who gives meaning to time…  By Christ I mean the mystery of Christ born, living, dying, and being raised again for the salvation and healing of both creature and creation…  The church is called to proclaim continually and act out this central mystery of God’s reconciling work in Jesus Christ as it journeys through time from year to year, month to month, day to day, and hour to hour.”

–Robert E. Webber–

Ancient Future Time


Creative Project

March 5, 2009

Creative Project
“Nothing But The Blood of Jesus”
Arranged and Performed by: Erika Kobewka
Submitted to Dan Wilt
Module 2:  The Middle Ages
February 19, 2009

“But God demonstrates His own love toward us, in that while we were yet sinners, Christ died for us.  Much more then, having now been justified by His blood, we shall be saved from the wrath of God through Him.  For if while we were enemies we were reconciled to God through the death of His Son, much more having been reconciled, we shall be saved by His life.  And not only this, but we also exult in God through whom we have now received the reconciliation.”
Romans 5:8-11 (NAS)

As we approach the Easter season Christians ready their communal gatherings and devotional lives to recall, commemorate, and proclaim the death and resurrection of Jesus Christ.  They are not merely recalling a sorrowful event in history rather, the reality of Christ’s death and resurrection announced within the Easter season and beyond is the source, heartbeat, and energy of Christian spirituality.  Therefore, in that reality, Christian believers are called to pattern their lifestyles accordingly, by dying to sin and rising in the new life of the Holy Spirit.

The lyrics within the traditional hymn, “Nothing But the Blood of Jesus” by Robert Lowry, are a confident pronouncement and affirmation as to where the source of salvation lies.  The droning, repetitive, and cyclic declaration, “nothing but the blood of Jesus,” is specific and exclusive in nature.  Lowry allows no room for an alternative or substitute basis of salvation.  “What can wash away my sin?  What can make me whole again?”  Nothing, but the blood of Jesus.  Full-stop.

“Nothing, But the Blood of Jesus” calls Christians into a deeper and more sensitive relationship to the Great Paschal Mystery.  The “Great Three Days” leading up to Christ’s death “are the most holy, solemn, and serious days of the entire year.”  This hymn acknowledges the somber gravity of Christ’s death.  Salvation was bought with a price—an innocent’s blood.  As Christian believers, through His blood we are reconciled to God, through His blood we are saved, through His blood we are justified, through His blood we are cleansed, through His blood we are redeemed, and through His blood we have new life.

This hymn could potentially be used within the context of Christian worship throughout the entire year, although it would most effectively fit into the context of the Easter season, specifically “The Three Great Days” gatherings that commonly commemorate the journey of Christ unto His death and crucifixion.  However, as much as this hymn soberly recognizes the weight and seriousness of Christ’s death, Lowry couples this acknowledgement with language of hope, gratitude, and joy.  “Oh precious is the flow that makes me white as snow.  No other fount I know.  Nothing, but the blood of Jesus.”  The use of this language reflects a heart of thankfulness and commitment to Christ as Lord and Savior.  The heart of worship that this hymn reveals is one attempting to capture the tension of sorrow intertwined with joy and gravity knotted with hope.  Christians grieve Christ’s death but rejoice in the knowledge that His death has overcome death and is the means to life abundantly.  “Nothing But the Blood of Jesus” is rich in gratitude and praise for this gift of salvation.

Nothing, But The Blood of Jesus
By: Robert Lowry
Arranged By: Erika Kobewka

E              D/E
What can wash away my sin?
A2
Nothing but the blood of Jesus.
E                    D/E
What can make me whole again?
A2
Nothing but the blood of Jesus.

{chorus}
E             D/E
Oh precious is the flow
A2
That makes me white as snow.
E        D/E
No other fount I know,
A2
Nothing but the blood of Jesus.

For my pardon this I see, nothing but the blood of Jesus.
For my cleansing this my plea, nothing but the blood of Jesus

This is all my hope and peace, nothing but the blood of Jesus.
This is all my righteousness nothing but the blood of Jesus.

All vocals, violin, acoustic guitar, and shakeables: Erika Kobewka

Recording & mixing, bass guitar, electric guitar, cajon and patient husband skills: Arden Kobewka


Ted.com Reflection

March 5, 2009

Elizabeth Gilbert: A Different Way To Think About Creative Genius

Elizabeth Gilbert, author of the award winning memoir, “Eat.  Pray.  Love.”  presents a realistic, witty, candid, heartening and yet sobering outlook of artists journeying within the creative process.  After riding the fame and exposure of one successful novel, Gilbert is nervously facing the intimidating reality that her following work will never attain the rich merit of her previous writing.  She provides an honest assessment of the emotional dysfunction and injurious lifestyles that are commonly inherent to the creatives of society.

The overriding question to her discussion remains, “how do we help creatives manage the emotional risks inherent to their art?”  Such a declaration begs that masterful art be reconciled to the grim death count of brilliant creative minds that have gone before.  Artists belong to a lengthy lineage of “alcoholic, manic-depressives,” mentally unstable, workaholics, and fear-filled individuals who are internally “tormented” by this “thing” that compels them to create, yet in the creative process continually buckling emotionally under the unspoken pressures of performance and personal perfectionist tendencies.  As creative leaders, how are we to react to the cultural perception and reality that, “artistry in the end will ultimately lead to anguish?”  It is imperative that we acknowledge this reality for what it is and labor to undo the patterns, habits, and damaging lifestyles of artists and communities who have “internalized and accepted collectively this notion that creativity and suffering are somehow inherently linked.”

Gilbert believes that the only way in which the creatives of society can construct and maintain a healthy outlook on their lives and their profession is for the western culture as a whole to divorce the notion that an “artist” and a “genius” are a single cohesive individual.  No honest human individual can live up to such pressures and it is lunacy for artists to expect that of themselves.  Gilbert promotes this alternative philosophy by drawing from the ancient Roman belief that a mystical “genius” spirit was temporarily present to ancient creatives in order to assist and inspire the artists in their work.  To the Romans, the purpose of the “creative genius” was to remind artists that their gifts did not originate from within themselves; rather, they were temporarily on loan for the intention of the “work’s” greater good.

Gilbert’s discussion personally encouraged me to purposefully engage with my fellow artists and pursue opportunities for encouraging one another to maintain a safe distance between our art and the anxiety of what the greater public’s reaction will be to that art.  As a fellow artisan, professional, and community member I want to remain in pursuit of active and authentic relationships with artists as they commit themselves to their work—however maddening, intimidating, threatening, or pressuring the creative process may be.  Regardless of whether or not their art is successful or whether or not “the divine happens to be glimpsed for one moment in their efforts,” Gilbert’s discussion appeals to and commends artists everywhere to dance, sing, and write anyhow.  “Olé none the less for having the sheer human love and stubborn-ness to keep showing up.”  I desire this encouragement to ring through my interactions with artists.  What you have created is valid.  What you have created is beautiful.  Keep showing up and continue to sing your anthem, whatever that song may be.


The Great Emergence Reflection Video

March 3, 2009

A few reflections on a hefty ‘lil book.

The Great Emergence by Phyllis Tickle

Movie Stars: The Community at Old Strathcona Vineyard

Movie Music:  Thistles and Felt by Caribou


Justice and Mercy.

February 11, 2009

“Justice is the grammar.  Mercy is the poetry.”

Whistling in the Dark

-Frederick Buechnerdscf3693


Drawing Near

December 19, 2008

The Child that lies in the manger, helpless and abandoned to the love of His creatures, dependent entirely upon them to be fed, clothed and sustained remains the Creator and Ruler of the universe.  Yet, in this human nature of His, He wills to be helpless that we may take Him into our care.  For here is no mere matter of appearances… He has embraced our poverty and our sorrow out of love for us, in order to give us His riches and His joy.  He has become as poor as the poorest of us, that no man may be held back from Him by false shame.

Seasons of Celebration
-Thomas Merton

O Come to us, abide with us, our Lord, Emmanuel.

O Little Town of Bethlehem
-Philip Brooks

Pedro The Lion’s version doesn’t include the last verse, which is my favorite:

Then pealed the bells more loud and deep:
“God is not dead, nor doth he sleep;
The wrong shall fail, the right prevail,
With peace on earth, good will to men.”

Till, ringing singing, on its way,
The world revolves from night to day,
A voice, a chime, a chant sublime,
Of peace on earth, good will to men!

I Heard the Bells on Christmas Day
-Henry Wadsworth Longfellow

Christmas continues to draw near.


Weighty Words

December 12, 2008

Sometimes a single word has much significance for me. At the end of each day at my first module I would write down a list of single words that had meaning for me. Here is the collection of words from Oct. 19th-31st at St. Stephen.

new

restoring

rest

moving

new-songs

heart-songs

prayer-songs

thin places

full places

beauty

crazy

taste-buds dancing

hospitality

home

renewal

wow.

community

friendship

i-pod touch

equilibrium

tension

release

beer

treats

full-throttle

warm

slow

meandering

rich

fast

unpacking

artistry

complex

simple

suspense

level

healing

story-telling

narrative

questions

truth

precious

sleep

fat food

fat soul

stepping stones

on the ground

2 feet

ease of breath

breathless

light

heavy

creative

voices

grace-gifts.

“Since we have now broken bread together, the space between us will always be sacred.”

*Henry Nouwen


A Persistent Response- Reflection Paper {Module 1}

December 12, 2008

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A Persistent Response

By: Erika Kobewka

There is immense value in recalling, studying, celebrating, and commemorating God’s saving events in history. As worshippers within the twenty-first century Christian community we are by very definition called to celebrate God’s works of salvation in our present lives and in the history of our past. After Christ’s ascension, early Christians were quick to develop outward ritual practices, liturgical texts, and Church services dedicated to the celebration of Christ’s work, past and present, in the life of the individual and community. As Christian leaders, we continue to seek holistic vitality and innovative creative outlets in the day-to-day out-workings of our worship expressions. The worship languages and symbolic rituals within the early church of Acts through to the sixth century are a testimony of the early church’s growing pains— their search for order and structure, their desire for practical out-workings of their Spirit-lead giftings, and their need to embrace their humanity as creatures living lives of love offerings to their Creator. By recognizing, acknowledging, and learning from the early church’s worship expressions we preserve their legacy and awaken ourselves and our communities to continue the narrative and celebration of God redeeming and rescuing his creation.

One of the most prevailing worship expressions within our twenty-first century church that was established early on within church history, is music. However, it continues to take on different roles and levels of significance within today’s church depending on the personality and denomination of the community. Music within the church appears under a vast number of stylistic headings (traditional hymns and chorus’, choral arrangements, contemporary rock songs, local songwriting) and instruments (guitar, piano, drums/percussion, organs, small orchestras). For some Christian communities, music is a vital, life-giving component of their gatherings, for others, it is subservient to the pastoral message. Likewise, for some communities it is a continuously evolving creative outlet, while other communities are content with the traditional voices and melodies of their conservative origins. However, the unifying element of all music stylings within the early and present-day church, is the cohesive truths of Scripture upon which all lyrical texts are rooted. The early church of Acts regularly assembled together to pray, sing, and share meals. Spiritual hymns, doxologies, and psalms sung in unison were common components of their meetings. The text of the hymns often reflected the language and imagery of the book of Revelation. God was addressed as “Father” or “Lamb of God” and the church community was conscious to ascribe Him eternal “glory, dominion, blessing, honor, power, riches, and wisdom” in their lyrics. “Alleluia” (meaning “Praise the Lord”) chorus’ were sung in the Jewish synagogue and temple prior to and during the life of Christ. These chorus’ quickly translated themselves into early Christian communal worship. The word “Amen” (translated, “let it be so”) was to preface and conclude all worship in the early church. The worship symbolism used in Revelation also continued to be very influential in the development of Eastern liturgical texts. From the first century onwards to the end of the sixth, church music slowly evolved into a highly organized, structured matter. Elaborate performances consisting of candles, incense, and colourful processions came to replace the simple ceremonial practices of the early house-churches of Acts. Church communities slowly yielded to a well formulated structure of liturgy, flavouring their services with remembrances of local heroes and Christian martyrs, agricultural seasons, and other cultural traditions within their particular region. Today, the twenty-first century church continues to express struggles similar to St. Augustine, teetering on the brink of “dangerous pleasure” rather than music supporting a “healthful exercise” within our worship expressions. Churches must maintain a balanced attitude and refrain from promoting a musical worship expression that is ordered, practiced, and professionalized to the point of prideful indulgence.

The celebrated act of Baptism and the participation in the Lord’s Supper were in the crux of all worship expression within the early church. Today these practices continue to be significant outward actions of any believer’s commitment to and continual union with Christ. In the early church of Acts, Baptism signalled an individual’s acceptance and incorporation into the church body, the forgiveness of sins, the union with Christ in His death, and the new life Christian believers experience because of His resurrection. Baptism was often an immediate outward response to convicting Apostolic teaching and often included “entire households”. Beginning in the second-century, fasting, prayer, and lengthy instruction came to preclude baptism . The second-century also shows a shift in church-construction from small “house-church” domestic buildings to elaborate basilicas fit to accommodate larger gatherings and on-site baptisms. Key figures in history arose in the second and third-centuries that gave instruction and structure to the Baptism and Eucharist celebrations. Key to the implementation of this structure was the Didache (“The Teaching of the Twelve Apostles”) which provided key instruction in the area of fasting, prayer, as well as Baptism and the Eucharist. Justin Martyr’s First Apology (d. A.D. 167) also gives further direction in the area of instruction to baptismal candidates concerning prayer, confession, and fasting. By the early third-century, Baptism signalled a believer’s renunciation of all evil and wrong-doings in their life.

In the early church, the Eucharist was celebrated weekly in the context of a meal with its primary purpose being the commemoration of all that Christ has done, and invoking Him to do more, both in the present and the future. It was exclusive in nature with the intention of bringing unity to the entire body by only involving members of the church community. Today, as people gather around the Lord’s Supper to partake in the elements (the bread and the cup) symbolizing the flesh and blood that Jesus spilled on our behalf, they are continually reminded of the gravity of the Christ’s sacrifice and encouraged not to take part in it frivolously nor carelessly.

Inheriting most of their traditions from Judaism, prayer played an active role in the lifestyle of early Christians with their own Christological implications. Daily prayer in the morning and evening were common components in the prayer-life of early Christian communities. The prayers of the morning were offered at dawn with thanksgiving and praise to God for the new day. The rising sun was a daily reminder and symbol of the new-life all believers receive because of Christ’s death and resurrection. Evening prayers provided an opportunity to reflect on the day and reconcile themselves to God for any recent wrong-doings. These prayers were offered with a continued recognition of Christ as the light of the world who dispells all darkness, and a closing petition to God for protection throughout the night. After the conversion of Constantine, daily public prayer in the morning and evening, offering thanksgiving and praise to God for his good works became a common practice in most towns and cities.

The early church of the second and third centuries began to follow liturgical patterns in order to provide a basic order and structure to their services of prayer and confession. Early church leaders, theologians, and intellects of this time produced many writings that assisted in the structuring of prayer practices within the Christian community. Such evidence is seen in the prayers and blessings associated with the celebration of the Eucharist outlined in the Didache. These prayers are consistently similar in structure to the Jewish prayers and blessings said before significant meals on specific days, such as the Sabbath. The Apostolic Tradition (Hippolytus, d. A.D. 236) embraced the exhortation of 1 Thessalonians 5:17 to “pray with out ceasing” ushering in an athletic lifestyle of prayer, most prevalent in desert monastic communities. Monks desired to maintain a lifestyle of ceaseless vigil through constant meditation, prayer, and hard work. For them there was no differentiation between work and prayer. It was of utmost importance that one take opportunity to listen to the voice of God therefore, silent meditation on the Psalms and other portions of Scripture, not oral praise and intercession, were the most common form of prayer in monasteries.

Today, prayer continues to be a major component to the Christian life both personally and corporately. We are continually encouraged to embrace the same exhortation that monastic communities took seriously to “pray without ceasing” whether at work, or at rest. The Jewish tradition of prayer centers around the Synagogue and the home. We attest to this tradition by offering prayers of thanks before partaking in a meal. We honor the early church of Acts and continue to petition God to continue His saving work in our broken lives by calling upon church elders and our local Christian Bodies to offer anointing prayers of healing for the sick.

The Didache and Apostolic Tradition, among many early theological writings give evidence to the oral liturgical traditions and worship expressions once held by early Christian communities. These liturgical recitations and rituals continue to contribute to the worship gatherings of the present-day church. Music continues to give expression to the heart-songs and prayers of worshippers as creation continues to groan for the arrival of God’s Kingdom in the present. Our worship expressions within the twenty-first century church cannot divorce themselves from the history of the early church’s acts of responsive worship. All history has shaped our perception and experience of reality in the present therefore, to deny the history of our Christian predecessors is to deny a portion of ourselves. It is of great value to recognize and celebrate the out-workings of God’s saving works within history as well as the present. More specifically, God’s saving works seen in and through the death and resurrection of Jesus Christ demands a response in our lives—praise, thanksgiving, gratitude, and death to our our sinful nature. Through worship, we continue to respond to this mysterious and remarkable act of salvation.

Bibliography
Eddie Gibbs and Ryan K. Bolger. Emerging Churches: Creating Christian Community in Postmodern Cultures. Grand Rapids, MI: Baker Academic, 2005.
Webber, Robert E. Ancient-Future Time. Grand Rapids, MI: Baker Books, 2004.
Webber, Robert E., ed., The Complete Library of Christian Worship Volume 2: Twenty Centuries of Christian Worship. Peabody, MA: Hendrickson Publishers, Inc., 1994.
White, James F. A Brief History of Christian Worship. Nashville: Abingdon Press, 1993
Wright, N.T. (Nicholas Thomas) Simply Christian. Great Britain: Society for Promoting Christian Knowledge, 2006.


truth.

December 11, 2008

“We honor and celebrate our complexity and our simplicity by continually doing five things.  We tell stories.  We act out rituals.  We create beauty.  We work in communities.  We think out beliefs… In and through all these things run the threads of love and pain, fear and faith, worship and doubt, the quest for justice, the thirst for spirituality, and the promise and problem of human relationship.  And if there’s any such thing as “truth” in some absolute sense, it must relate to, and make sense of, all this and more.”

Wright, N.T. (Nicholas Thomas) Simply Christian.  Great Britain: Society for Promoting    Christian Knowledge, 2006.


patient trust.

December 11, 2008

A special poem was read over us before we left New Brunswick. It has been my gift that I open and hold each morning.

PATIENT TRUST

Above all, trust in the slow work of God.
We are quite naturally impatient in everything
to reach the end without delay.
We should like to skip the intermediate stages.
We are impatient of being on the way to something
unknown, something new.
And yet it is the law of all progress
that it is made by passing through
some stages of instability-
and that it may take a very long time.

And so I think it is with you.
Your ideas mature gradually-let them grow,
let them shape themselves, without undue hast.
Don’t try to force them on,
as though you could be today what time
(that is to say, grace and circumstances
acting on your own good will)
will make of you tomorrow.

Only God could say what this new spirit
gradually forming within you will be.
Give Our Lord the benefit of believing
that his hand is leading you,
and accept the anxiety of feeling yourself
in suspense and incomplete.

-Pierre Teilhard de Chardin SJ
patient trust